Even in mono, it puts a smile on my face every time I bang out a big chord.Įdit: Found it. Me? For any band I've ever played with, I've concentrated on getting a great guitar sound coming out of a single 12" combo at the appropriate volume. If I find it, I'll come back a post a link. I'm pretty sure it was in Premier Guitar, and I'm kinda thinking it might have been Pete Thorn writing. I recently read a good article on line about the practicality of stereo guitar rigs. That's assuming you can even convince the sound guy to provide two mics and two channels on the board. Your stereo rig might sound great to you onstage, but chances are the rest of the band won't here what you do, and the sound won't translate to the front of house. True stereo sound reinforcement systems are rare, and don't work very well since some people in the audience only hear one side. Live, I think stereo is more complexity than it's worth. It sounded awesome split between my 18 Watter and my Champ. I once built a little Jamie West-Oram pedalboard using a DynaComp, Rat, and a Zoom MultiStomp providing the stereo chorus, delays and reverb. I've tried stero rigs at home occasionally, it's kinds fun. This video shows two different pedals you can use to make the sound more spread out and more 'stereo'. Not sure, but I’m guessing there might a couple more.Ībsolutely not for everyone, but it does work great live if you know how. Running dual amps is a ton of fun and ultra-inspiring. As Chris said, W/D/W is a major WOW factor - both looks and sound-wise. If you want to run stereo for your music and band, you are in good company: I have my CAE rig setup to run either in stereo or dual mono - pretty easy to swap between the two. If you are in a local watering hole cowboy chording country tunes it may not be appropriate. If you are in a Rush tribute band or something it may be worth a little extra effort. If the room is short and wide, back off that a bit, easy. If the room is long and narrow, you can hard pan the stereo items. From the website: GUITAR RIG 5 PRO delivers 54 meticulously modeled stomp boxes and effects, from legendary foot. The only thing that requires an extra mic is my L/H cab, there, done. In this video we show you how to get it ready for the stereo process of a full mix. The patches in our keyboards sound ten times better (imo) stereo.įoh vocals/drums sound ten times better (imo) with a bit of stereo verb or delay. I have mono patches for this on my delay (verb doesnt matter and trem is a switch) but still use the same rig because its what I’m used to. However, a lot of guitarists underestimate how the best guitar cabinets will allow you to expand upon your core tone, providing a three-dimensional element to your guitar work as well as helping to increase the volume on stage and in the rehearsal space. There are situations where stereo is just not appropriate. If you’ve been playing for a little while, then you’ll know that the core sound of your rig is down to your amplifier. If you are filling in for Bob at the local VFW, chances are you do not want to mess with a stereo rig. Not everybody needs or wants to run stereo.
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